Thirdly, there are lots of applications that make use of potentially large numbers of identical audio sources: anything from classic additive synthesis and granular effects to analogue-style unison mode. This works surprisingly well, but requires an extra patcher file, and editing can be awkward. Secondly, Max's support for polyphonic processing has been a little clunky, consisting only of a single 'poly~' object which loads and replicates a patcher into a multi-voice framework with the kinds of voice control you'd experience on a polyphonic synthesizer. (Even if you're working in stereo, that's your patching effort potentially cut in half.) So at the very least, there's an argument for multi-channel cable 'snakes' to tidy things up.
Max msp 8 Patch#
Monophonic patching gets you a fair way (and modular synthesizer users don't seem to complain that much), but after you've done a fair bit of routing patch cords eight or 16 at a time for a multi-speaker installation, patience starts to wear a bit thin.
Of course, Max has been able to do multi-channel audio for as long as it's been able to do audio, with objects for taking in and putting out several channels at once, and for recording and playing multi-channel files, but MC addresses issues which, in retrospect, were obvious shortcomings.įirstly, it's long been a topic of discussion in mailing lists that Max's audio patch cords are resolutely monophonic, in an era where production is at least stereo and often involves surround sound, Ambisonic mixing and so on.
With Max 8 comes first-class support for multi-channel audio processing, courtesy of a framework and set of objects that go under the collective banner MC. To get the most from Max 8, you'll need to skim through the release documentation - or read the rest of this article! Multiplication Tables There are patching improvements, but the refinements are, by and large, subtle, and nothing jumps xout in the interface. Working with Max 8 doesn't initially seem that different to Max 7: the icons in the toolbars haven't changed that much, and neither have the various pull-down and pop-up menus. Of course, colours and fonts can always be customised in patchers, and Max 8 offers a handful of overall application colour 'styles', including the Max 7 look if you're particularly attached to it. I'm still not a massive fan of the default colour scheme and font, but the increased contrast helps. This seems especially effective in text-rich areas like the console, reference and property inspector panes.
Max msp 8 windows#
On first appearance, nothing much seems to have happened: patcher windows are still, by default, pale grey with a dark grey surround, but the dark greys are noticeably darker, improving contrast and adding some visual 'punch'. As well as offering functional improvements, Max 6 and Max 7 each did some redecorating, resulting in a distinct visual appearance for each revision. To strain the analogy somewhat, Max entered adulthood with version 5 (reviewed in August 2008), which delivered a new, flexible, user interface to its graphical programming features.
Max msp 8 software#
Max 8 continues the evolution of Cycling '74's flagship media programming environment as it progresses through what must be, in software terms, a comfortable but active middle age. Max 8 sees Cycling '74 enhance both multi-channel audio and JavaScript support, among many other improvements.
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